Madhulika Art Collection

Madhulika Verma is a self-taught artist born in India and based in the United States for the past decade. As the wife of a naval officer, she has traveled widely, a lifetime of movement that deepened her curiosity about women across cultures, faiths, and landscapes. The expressive power of a woman’s eyes – the windows to character and history – anchors her work. A head scarf, rendered with texture and care, often appears in her portraits as a tangible thread of resilience, tradition, and identity.
Her artistic path began in the textile studios of her youth, where she designed for weavers and translated texture, pattern, and craft into visual form. After relocating to the United States, she expanded into digital imagery and gradually embraced oil painting. Throughout this evolution, women remain central protagonists; their gaze becomes a narrative thread that links memory, identity, and cultural exchange.
Her latest paintings explore a cubist sensibility within a figurative framework, infused with moments of abstraction. This development marks a fresh direction in her practice, driven by ongoing experimentation and a steadfast commitment to lifelong learning in the digital era. The owl – often included in her work as a symbol of wisdom – grounds her portraits with quiet insight. Portrait studies continue to be informed by online training, shaping a disciplined, evolving studio practice.
Across all works, Madhulika invites viewers to engage with the character, nuance, and resilience of the women she portrays, and to consider how culture shapes perception. Her website is madhulikaartstudio.com

La Mujer Muerta (The Mountain Remembers)

Media:

Oil Painting 

Dimension:

30(w) x 36(h) inches

Description

La Mujer Muerta (The Mountain Remembers) explores the idea of landscape as a silent keeper of memory. Inspired by the Spanish mountain whose form resembles a reclining woman, the work transforms terrain into a metaphor for feminine histories—unseen, layered, and absorbed into the land over time.*

A contemplative female figure emerges as both witness and presence, her gaze steady and introspective. Beneath her, a nocturnal city glows with warm, golden light—symbols of life, stories, and human continuity. Yet beyond this illuminated surface lies a deeper quiet: the memory of what came before.

Rendered in a cubist-influenced figurative language, the composition merges psychological portraiture with symbolic architecture. The woman becomes both observer and embodiment of the land itself—holding within her the echoes of past lives, while the present continues to unfold below.

Mother of the Universe: Beyond All Colors

Media:

Oil Painting 

Dimension:

30(w) x 36(h) inches

Description

Mother of the Universe: Beyond All Colors is a powerful meditation on the eternal essence of motherhood—unbound by race, geography, or identity. Through a fragmented Cubist language, the central maternal figure emerges as a universal presence, her watchful eye embodying care, awareness, and quiet strength.

Within her form, multiple lives unfold: a child both visible and shadowed, suggesting that motherhood carries all states of being—the seen and the unseen, the born and the remembered. These layered figures dissolve the boundaries between individuality and universality, reinforcing that the emotion of a mother remains constant across all human divides.

The surrounding organic forms rise like symbols of endurance, while small birds echo the continuity of life and freedom. The warm, intense palette does not define identity, but rather amplifies emotional depth—love, protection, sacrifice, and timeless connection.

Fragmented Unity in Silence

Media:

Oil Painting 

Dimension:

30(w) x 36(h) inches

Description

Rendered through abstract cubist language, the composition fractures identity into geometric planes—two feminine figures dissolving into one shared presence. Angular divisions and tonal contrasts create a dialogue between light and shadow, individuality and fusion. The eyes—intense and central—anchor the abstraction, holding emotional continuity amid structural distortion. The surrounding crows act as symbolic observers, embedded within the spatial grid, while the white owl grounds the piece with a quiet assertion of wisdom. Form is deconstructed yet emotionally intact—where cubism becomes not just visual fragmentation, but a meditation on dual existence, perception, and the unseen connections between souls. psychological cubism” — not just fractured form, but fractured identity
• “symbolic observers” — the crows as external gaze, the owl as inner wisdom
• “dual consciousness” — two selves occupying one emotional space

Witnesses to Their Union

Media:

Oil Painting 

Dimension:

20(w) x 32(h) inches

Description

A couple stands together in a moment of poised stillness, their forms constructed through geometric fragments and warm tones of amber, ochre, and burnt orange. The man, dressed in a formal suit, stands slightly behind the woman, whose calm gaze meets the viewer with quiet strength. Their intertwined presence suggests partnership, protection, and shared destiny.

Behind them, a grid of abstract shapes and watchful eyes creates an atmosphere of silent observation—as though society itself bears witness to their union. An owl perched above, a subtle symbol of wisdom and awareness, quietly oversees the scene. Through layered perspectives and Cubist-inspired forms, the painting explores themes of love, perception, and the many unseen forces that surround human relationships.

Dual Reflections

Media:

Oil Painting 

Dimension:

20(w) x 32(h) inches

Description

Two faces emerge from a single form, gazing in different directions yet sharing the same essence. The composition explores the quiet dialogue between the inner self and the outward persona. Warm tones of amber and burnt orange envelop the figure, symbolizing emotional warmth, memory, and introspection. The elongated neck and layered profiles evoke the influence of modern figurative Cubism, where identity is seen not from a single angle but from multiple emotional perspectives.

Two Souls, One silence

Media:

Oil Painting 

Dimension:

20(w) x 32(h) inches

Description

In this expressive figurative composition, two faces emerge within a single form—one poised and outward-looking, the other quietly introspective beneath. The upper figure, framed by flowing dark hair and bold red lips, symbolizes the visible self presented to the world. Beneath her, another face appears, partially hidden, embodying the inner thoughts and emotions that often remain unspoken.

The striking contrast of colors—sunlit yellow, deep black, and a flowing red garment—creates a dramatic visual balance between strength and vulnerability. Through simplified forms and layered perspectives reminiscent of modern figurative Cubism, the work reflects the complexity of identity: the dialogue between the self we show and the self we carry within.

A Feminine Cosmological Trilogy

Media:

Oil Painting 

Dimension:

20(w) x 32(h) inches

Description

The three women are not separate beings.
They are three temporal states of one eternal force.
 
1.She Who Creates
The beginning. Birth of ideas, homes, civilizations, culture.
 
2.She Who Sustains
The balance. The keeper of continuity, compassion, and order.
 
3.She Who Transforms
The necessary dissolution. Endings that allow renewal.
 
Above them — the eye.
The Witness.
The Earth-consciousness observing human action.
 
This makes the painting not just symbolic — but cyclical.
Creation → Preservation → Transformation → Re-creation.

Sisters in the Silence of War

Media:

Oil Painting 

Dimension:

26(w) x 30(h) inches

Description

Sisters in the Silence of War Amid the quiet ruins, two sisters cling to each other—bound by fear, love, and the fragile promise of peace. Cubism in figurative art Linen on canvas

One Seed to Two Petals

Media:

Oil Painting 

Dimension:

25(w) x 26(h) inches

Description

Born from a single essence, the form unfolds into two petals — two reflections of the same soul. In Cubist rhythm, the geometry reveals both unity and separation, light and shadow, serenity and strength. Each plane whispers of shared origin yet individual grace. Through amber hues and fractured contours, the painting speaks of relationships — of sisters, of woman and self, of silence and resilience — all sprouting from one living root.

Two Friends and the Moon in Between

Media:

Oil Painting 

Dimension:

22(w) x 30(h) inches

Description

In this Cubist composition, two women share a silent dialogue beneath the night sky. Their faces are turned in different directions, yet the same moonlight touches them both. Between them rests the moon — not merely a celestial body, but a symbol of distance, connection, and reflection.

Two Women with music instruments and the Acacia tree

Media:

Oil Painting 

Dimension:

22(w) x 28(h) inches

Description

Monk in Solace, Embraced by Tree Roots

Media:

Oil Painting 

Dimension:

22(w) x 28(h) inches

Description

Golden Veil of Silence

Media:

Oil Painting 

Dimension:

18(w) x 28(h) inches

Description

Captures her quiet strength and the shimmering cubist planes of gold.

Fragments of Friendship

Media:

Oil Painting 

Dimension:

28(w) x 22(h) inches

Description

Speaks to Cubism’s fractured planes and the emotional bond.

The Woman and Her Shadow

Media:

Oil Painting 

Dimension:

18(w) x 20(h) inches

Description

Silent Dialogue of Buddha and Monk

Media:

Oil Painting 

Dimension:

30(w) x 36(h) inches

Description

Hidden Face

Media:

Oil painting on linen canvas

Dimension:

24(w) x 26(h) inches

Description

Woman Before the Mirror

Media:

Oil Painting 

Dimension:

25(w) x 30(h) inches

Description

Father and Daughters

Media:

Oil Painting 

Dimension:

29(w) x 36(h) inches

Description

The Lady and Her Ego

Media:

Oil Painting in cotton canvas

Dimension:

20(w) x 27(h) inches

Description

Amber Gaze

Media:

Oil on Canvas

Dimension:

20(w) x 24(h) x 1.5 (d) inches

Description

A Cubist portrait of a woman with amber eyes, sharp features, and a somber expression, adorned with black silk and an amber earring, blending muted tones and fractured geometric form.

EYES OF GOLD

Media:

Oil on Canvas

Dimension:

20(w) x 24(h) x 1.5 (d) inches

Description

A Cubist portrait of a lady with luminous eyes and shimmering gold ornaments, blending elegance and asbtracted complexity.

Cubism Painting 3

Media:

Oil on Canvas

Dimension:

20(w) x 24(h) x 1.5 (d) inches

Description

This painting beautifully embraces the Cubist style, depicting three women in a fragmented yet harmonious composition. The use of geometric patterns in earthy yellows, browns, and creams creates depth and rhythm across the canvas. Their bold eyes and defined features stand out, adding intensity and emotion to the figures. The repetition of shapes and tones emphasizes unity and balance while celebrating individuality.

Vibrant Serenity

Media:

Oil on Canvas

Dimension:

22(w) x 28(h) x 1.5 (d) inches

Description

This colorful Cubist portrait depicts a lady with flowing, multi-faceted hair and an elegant dress. Fragmented geometric shapes emphasize her lively spirit and timeless beauty, celebrating individuality through vivid, dynamic planes.

Luminescent Eyes

Media:

Oil on Canvas

Dimension:

22(w) x 28(h) inches

Description

A Cubist portrait of a woman with expressive eyes and shimmering gold ornaments, blending geometric facets and contrasting tones to explore layered beauty and inner elegance.

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